The Documentary Legend reflecting on His Revolutionary War Project: ‘We Won’t Work on a More Important Film’
The acclaimed documentarian has become beyond being a documentarian; he represents an institution, a prolific creative force. With each new documentary series premiering on the television, everybody wants an interview.
Burns has done “more fucking podcasts than I ever thought possible”, he notes, nearing the end of his marathon promotional journey featuring 40 cities, numerous film showings plus countless media sessions. “There seems to be a podcast for every citizen, and I believe I’ve appeared on most of them.”
Fortunately Burns is a force of nature, as loquacious behind the mic as he is prolific in the editing room. The veteran director has gone everywhere from Monticello to mainstream media outlets to discuss his latest monumental work: his Revolutionary War documentary, a comprehensive multi-part historical examination that dominated a substantial portion of his recent years and premiered this week on PBS.
Defiantly Traditional Approach
Similar to traditional cooking in an age of fast food, this documentary series proudly conventional, more redolent of traditional war documentaries than the era of streaming docs and podcast series.
However, for the filmmaker, who has built a career documenting American historical narratives including baseball, country music, jazz and national parks, its origin story represents more than another topic but foundational. “I recently told collaborator Sarah Botstein the other day, and she agreed: we won’t work on a more important film Burns contemplates from his New York base.
Comprehensive Scholarly Work
Burns, co-directors Botstein and David Schmidt plus scripting partner Geoffrey Ward drew upon countless written sources and primary source materials. Numerous scholars, representing diverse viewpoints, offered expert analysis in conjunction with distinguished researchers representing multiple disciplines such as enslavement studies, indigenous peoples’ narratives plus colonial history.
Signature Documentary Style
The film’s approach will seem recognizable to viewers of Burns’ earlier work. Its distinctive style included slow pans and zooms across still photos, generous use of period music with performers voicing historical documents.
This period represented Burns built his legacy; years later, presently the respected veteran of historical films, he seems able to recruit virtually any performer. Collaborating with the filmmaker during a recent appearance, the Hamilton creator Lin-Manuel Miranda observed: “Nobody declines an invitation from Ken Burns.”
All-Star Cast
The extended filming period provided advantages concerning availability. Filming occurred in studios, on location through digital platforms, a method utilized amid COVID restrictions. The director describes collaborating with actor Josh Brolin, who found a few free hours in Atlanta to perform his role as the revolutionary leader then continuing to subsequent commitments.
Additional performers feature multiple distinguished artists, respected performing veterans, emerging and established stars, multiple generations of actors, celebrated film and stage performers, international acting community, versatile character actors, television and film stars, plus additional notable names.
The filmmaker continues: “Truly, this might be the most exceptional group recruited for any project. They do an extraordinary service. They’re not picked because they’re celebrities. I got so angry when somebody said, about the prominent cast. I go, ‘These are actors.’ They’re the finest actors in the world and they animate historical material.”
Historical Complexity
However, the absence of living witnesses, modern media required the filmmakers to lean heavily on historical documents, integrating individual perspectives of multiple revolutionary participants. This approach enabled to show spectators not only to the “bold-faced names” of that era along with multiple crucial to understanding, several participants lack visual representation.
Burns also indulged his particular enthusiasm for geography and cartography. “I have great affection for cartography,” he observes, “featuring increased geographical representation in this film than in all the other films across my complete filmography.”
Global Significance
The team filmed at nearly a hundred historical locations in various American regions and in London to document environmental context and collaborated substantially with historical interpreters. These components unite to tell a story more bloody, multifaceted and world-changing than the one taught in schools.
The revolution, it contends, represented more than local dispute about property, revenue and governance. Instead the film portrays a brutal conflict that finally engaged more than two dozen nations and unexpectedly manifested termed “humanity’s highest ideals”.
Internal Conflict Truth
Initial complaints and protests aimed at the crown by American colonists throughout multiple disputatious regions quickly evolved into a vicious internal war, dividing communities and households and creating local enmities. In episode two, scholar Alan Taylor notes: “The primary misunderstanding about the American Revolution is that it was something that unified Americans. It leaves out the reality that colonists battled fellow colonists.”
Sophisticated Interpretation
According to his perspective, the revolutionary narrative that “generally is drowning in sentimentality and idealization and lacks depth and doesn’t have the respect actual events, all contributors and the incredible violence of it.
The historian argues, an uprising that declared the revolutionary principle of inherent human rights; a bloody domestic struggle, pitting Patriots against Loyalists; and a global war, the fourth in a series of wars between imperial nations for the “prize of North America”.
Uncertain Historical Outcomes
Burns also wanted {to rediscover the